African Masks & Tribal Artifacts
African tribal art
has many forms.
Masks are used in tribal dances
to placate the spirit world,
to propitiate good health,
to promote ample harvest,
to protect deceased loved ones
moving to the 'spirit' world,
to discipline and to educate.
Carvings are to protect a village
from bush spirits or please a
spouse in the spirit world.
Textiles are created to clothe,
decorate and demonstrate domestic skills.
Jewelry is made to adorn the body.
Pottery, musical instruments,
and implements are made
to reinforce cultural values
and shared traditions, and
bring beauty to every day life.
From the time we began to collect
African Tribal Art, more than 40
years ago, we've seen changes
that have splintered the "market"
into three parts.
At the top are ancient pieces that
are priced beyond the means of
most people who would be
interested in them.
The bottom tier is cheap, mass-
produced tribal-like wall art.
The middle tier is where we
serve. Everything from Africa
that we offer, we acquired
personally, either in Africa
or from trusted dealers in
African tribal art. It is all quality
art, if not at the top of the
category. None is "airport art".
We include Certificates of
Authenticity, explaining the
history of the item and how it
came into our possession.
(Some of it has been exhibited
in museums and is so noted.)
Click the button below to link to
a list of tips on how to evaluate
and select African Tribal Art
that appeals to you.
AFRICAN MASKS
Featured
$275.00
African Ceremonial Mask, classic Dan style with oval eyes.
Impressive in its simplicity.
Ribbons of striped fabric material on each side - probably hand-loomed native cotton. Numerous irregularly sized and shaped holes around perimeter for holding raffia and fabric when danced.
ca. late 20th Century. Maker once known.
Acquired from Keith Barton, owner of Les Primitifs Gallery, Chicago, IL in 1980’s.
9" x 6" AGC19
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$1,900.00
A powerful ceremonial mask of six eyes, painted wood face, raffia head dress, open mouth. From Africa’s Dan tribe, located in western Cote d’Ivoire (Ivory Coast). Age unknown, estimated at ca. 1975. Maker once known. Acquired in 2004 from Hamidu Sellah, a trusted importer of African tribal artifacts with whom we have a longstanding relationship. 11" high x 7" 20 wide. #AGDE79
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$750.00
African Baule Tribe ceremonial mask, "Bo Nun Amun", helmet-style, wood, combining a gazelle face, surmounted by a snake coiled around a tuft of raffia, and a lizard in its flared-nostrils jaw. Carver Once known. Age uncertain
35" high. Acquired from an African tradesman in 2004.
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$625.00
Ceremonial mask of the Baule Tribe of West Africa , elegantly carved with detailed coiffure in traditional Baule style. Half almond eyes, square mouth, scarification on brow and cheeks. Acquired in 1993, from the personal collection of Dr. Mamadou Diop MD, Senegalese physician, collector and gallery owner in Abidjan, Cote d'Ivoire (Ivory Coast). Carver once known. Age estimated (by Dr. Diop) ca.1940s. 15" high
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$4,000.00
Tribal Ceremonial Mask, Dan Tribe, wood, with horns, circular eyes, full lips, bone teeth protruding. Acquired 1993 from the collection of Dr. Mamadou Diop MD, Senegalese physician and African art collector living in Abidjan, C.I. Maker Unrecorded. ca 1940s
11.5" X 8" #AGH106
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$950.00
Baule Tribe Ivory Coast African Ceremonial Mask, wood, vibrant red painted face, finely carved coiffure, collar secures raffia body covering.
18.5" tall. ca. 1930's. ex. Collection of Dr. M. Diop MD, a Senegalese physician, collector and gallery owner in Abidjan, Cote d'Ivoire. AGX747
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$350.00
Mask, Baule Tribe, zoomorphic, black and red paint, open mouth. Collar for attaching body-masking material (usually dried vegetable fibre. Interior bite-stick at wearer's mouth level for hands-free stability while dancing.
9.5" x 5.5"
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$350.00
Ceremonial Mask, wood, Dan Poro society, traditional horn bill design, with almond-shape eyes, maker unrecorded, ca 1980s, Acquired 1988 from trusted African tribal artifact importer, Ousman Kera.
11" X 4.5" #AGW548
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$1,200.00
African Dan Tribe Ceremonial Mask, monkey fur on hornbill, red fabric, metal eyes. Breakaway damage at top rear. ca. late 20th Century. Acquired in 1995 from Felix Weston. Maker unrecorded
10" h. + 17" beard x 6" w. #AGF072
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$775.00
African ceremonial mask, wood classic Dan face, with leather and fabric head cover, decorated with cowrie shells, feathers and goat hair. Maker once known. ca. 1975, Acquired in 1991 from Ali Sellah, trusted African artifact agent.
11" high x 26" long #AGV224
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$550.00
African (Gabon,) Fang tribe, mask, wood, helmet-style, four faces, black iron stand. Maker once known. Acquired 1995 from reputable African importer.
13" x 10" #AGH583
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$1,350.00
Dogon ceremonial mask, Walu, wood, carved with six projections extending above the face, which emulates Dogon architecture. Walu is a funerary rite that is danced when an important villager passes, or periodically on behalf of all who have passed before. It is intended to accompany the deceased into the world of their ancestors. Walu is an antelope. The projections represent antelope horns. The ceremony is tied up in a legend about Walu as the protector of the sun, and who died as a result of that responsibility. The style of the mask form is similar to Dogon architecture in Mali
23" tall x 8" wide. #AGCT14
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$2,900.00
African Ibo tribe ceremonial mask, semi-helmet, painted over face and sides. Elephant effigy in coiffure. Serpents and Colonials painted on sides and back. Acquired in 1992 from trusted Native African art importer, Hamidu Sellah. Shows evidence of native repair inside. Museum-exhibited in 1995. ca. early 1900s, per source. No record exists of the Ibo artist who created this striking example of Ibo culture.
18” x 9” #AGV356
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$425.00
Ceremonial mask, monochromatic, wood, overhanging coiffure, almond slit eyes, recticulated jaw, with sticks used to replicate teeth. Artist unrecorded. Age uncertain. Acquired for this collection in 1995 from African Waterways, a dealer in African Tribal art.
8 1/2" high plus included stand
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$700.00
Mask, "Ngaady a mwaash", with attenuated face.
This mask represents the daughter of Woot, who is the major god in Kuba creation. She was the wife of the first king, making her the mother of all Kuba royalty.
Lines painted as running down the cheeks symbolize tears of pain and joy.
Cap of raffia fiber with cowrie shells. Facial scarification paint. Blue and yellow vertical beading. Black and white beads around mouth.
Acquired in 2000 from online vendor. Provenance begins with acquisition in 2000. Age uncertain. Carver once kknown. 18" high x 8" wide #AGD305
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$1,000.00
African Lele tribe mask, attenuated face. Cut raffia hair. Natural hair beard. Cowrie shell and bead trim.
This is an older piece, precise age uncertain. Acquired 1996 from Hamidu Sellah, a trusted African importer. Carver unrecorded.
19" high, including stand.
Face masks like the one shown here are augmented with full-body costumes to complete the manifestation of spirits that serve as intermediaries between the Supreme Being and the people.
Masking ceremonies and dances are usually associated with manhood initiations and funerals, events of great significance to the people.
19” high #AGF414
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$490.00
African Kuba tribe ceremonial mask, wood, raffia coiffure, copper repousse' with beads hanging from the finely etched face plate, which emulates scarification. Maker once known. Acquired in 1991 from Hamidu Sellah, trusted African native vendor, who estimated age as ca. 1960s.
16" X 9" x 9" deep #AGV115
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$1,150.00
Ceremonial helmet mask from Senoufo tribe, helmet with horns, embedded cowrie shells, fabric and figures. Maker once known. Acquired in 1992 from Ali Sillah, who estimated the age at ca.1960s.
16" x 9" diameter #AGX252
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Sale Price:$975.00 Original Price:$1,250.00
Senoufo helmet mask, wood, featuring a single large bird hosting four smaller birds pegged in wings.
This ensemble of birds is similar to a traditional Senoufo staff that is posted in the field to give incentive to boys who work there.
The most productive worker receives this mask as recognition of his achievement.
We acquired this treasure of African tribal art personally in 1990 from El Hadj in the Senoufo village of Korhogo, Cote d’Ivoire, Africa. He estimated its age as mid-20th Century.
24” high x 12” wide, Shipped Free within the 48 mainland United States.
The small birds are detached from the larger bird for storage. #AGV234
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$2,500.00
Vintage African Yoruba crown, beaded, conical with bead veil, surmounted by beaded birds, on stand. Approx. 40" from tip of bird to base of veil. Acquired in 1998 from Hamidu Sellah, who estimated age at late 1900s. Maker once known.
This vintage Yoruba Tribe beaded crown (adenla) is from Nigeria, West Africa. When a Yoruba oba, dons an adénlá, it is a ritual signifying that the oba is connected to his ancestors and gods.
The beaded veil is intended to shield observers from the immense spiritual power emanating from eye contact with the oba. The birds represent Okin the royal Bird. and are symbolic of older women in the tribe who provide council to the oba.
40” h #AGE481
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$900.00
Ceremonial mask from Yoruba people of Nigeria. Conical top, painted with multi-colored facial features, wicker base. Please
Note: the mask shows significant insect damage on the rear side from infestation at some time in the past. Maker once known. Acquired in 1997 from Hamidu Sellah, who estimated age at ca1995.
22" Tall. #AGEF553
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$5,000.00
Ceremonial mask, traditional Egungun style, hare & hunter, used in parts of the Yoruba ceremonies.
Acquired in 1990 from the private collection of Bruce Green, Naples, Florida. who estimated its age at ca1950s. Carver once known.
Exhibited at the Norton Museum in Palm Beach, Florida.
15" high x 6 1/4" x 7 1/2"
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$450.00
African Yoruba mask, Gelede, painted with multi- colored facial features. calabash base, fabric collar with cowrie shells. Four conical coiffure features. Maker unrecorded. Age uncertain but known to be at least ca1999, since that was the year we acquired it.
15 1/2" Tall x 11 1/2" x 16" #AGE722
$3,000.00
African Bassa mask, Janus faced, Bundu society, wood. Maker once known. ca. 20th Century. Acquired 1992
17" X 10" x 13" deep. #AGx121
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$900.00
Mask, Bobo tribe leopard effigy, with puppet action for legs. Bobo people are located primarily in Burkina Faso, central Africa.
26" x 11" #AGDE31
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$150.00
African Cameroun Grasslands dance mask, wood, water buffalo effigy. Maker once known, ca 1970s, Acquired 1980
Please Note: As is often the case when wood from the tropics moves to dryer climes, there has been some serious cracking and loss along the top of the head. Low price reflects this natural deterioration.
33.5" X 14" wide #AGW097
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$425.00
Africa, Burkina Faso. Gurunsi Nafana mask, plank style, with large open circle in the superstructure over a trapezoidal face. Red abrus seeds around the eyes.
These masks were worn on the top of the head and danced to ward off evil spirits from affecting the village.
Maker once known. Age unknown. Acquired it in 2001, affirming its age as just under vintage. Online source Krillin.
.39 1/2" X 18" #AGD481
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$250.00
African Guro tribe (Cote d’Ivoire) mask, wood, top piece, with collar holes for suspending a fabric/raffia covering over the wearer's body. Woman's nocturnal dance mask in the shape of a chameleon.
Age uncertain. Carver once known. Acquired from the collection of Dr. Mamadu Diop MD, Senegalese physician, collector and gallery owner in 1992 in Abidjan, Cote d’Ivoire. He estimated the age at ca1930s.
4 1/2" high #AGX770
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$300.00
African Pende Tribe of Congo, mask, wood with scarification and teeth showing, raffia coiffure and woven raffia beard, Maker once known, Est. age ca.1945. Acquired by us in 1990.
Masks carved, adorned and worn by Pende tribe members are some of the most evocative works of all African tribal art.
They appear in ceremonies that accompany agricultural events, initiation rituals marking the passage of boys to men, and the ritual installation of chiefs.
In Pende culture, however, chiefs are primarily honorific and social control is provided by families rather than tribal leaders.
19" x 12", face 8" #AGW976
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AFRICAN ARTIFACTS
Featured
$500.00
West African Baule Tribe authentic Medicine bowl, wood, carved with Janus faces on removable lid. Carver Once known. Ca. 1940s.
Acquired 1994 from the collection of Dr. Mamadou Diop MD, Senegalese physician, collector and gallery owner living in Abidjan, Cote d'Ivoire (Ivory Coast).
This one-of-a-kind, authentic Baule artifact will be shipped FREE to any address in the 48 mainland United States. Shipment to other destinations may be arranged at the buyers expense post-purchase
11"h x 4 1/2" x 5 1/2' AGA253
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$195.00
African Baule Janus-faced authentic heddle pulley, carved wood. Carver once known.
Acquired 1994 from the collection of Dr. Mamadou Diop MD. Senegalese physician, collector and gallery owner living in Abidjan, Cote d’Ivoire (Ivory Coast)
This special, collector quality Baule artifact will be shipped FREE to any address within the 48 mainland United States. Shipment to other destinations may be arranged at the buyer's expense post-purchase.
5 3/4" high x 2" wide
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$7,000.00
Figure, terra cotta image of a warrior king, possibly the Ono of Ife, softly sculpted human features, skirted with a slight paunch, indented small of the back, with a flywhisk in the right hand and a horn cup in left hand. Grey color. Internal rattle when shaken.
Ca. late 19th to early 20th century.
16” h x 7” w x 4”d
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$800.00
Wood dance staff with sickle-like metal blade secured to haft. Carving on the haft at point where the "blade" is secured.
It's similarity in appearance to a weapon suggests it also may have had purposes in battle or symbolized martial power.
This object was said to be carried over a shoulder cradling the "blade" and haft.
21" tall x .62" wide, blade is 12" long #F180
Age unknown, acquired in 1996 from Abdoul Sellah, a trusted African agent.
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$135.00
Dogon tribe iron staff or wand, with four jingles suspended from the top. Possibly used to signal the arrival of friend or foe. Age unknown, acquired at native market in 1990 in Abidjan C.I. Africa.
9" tall
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$450.00
Carving/sculpture, sandstone, Ancestral equestrian figure, Rider on horseback.
Horses were symbols of wealth among ancient Dogon Tribe members. The source for this powerful piece was Timbuctou To You, a dealer who frequented the Dogon escarpment where the Dogon people inhabited caves that provided protection from rivals.
When acquired by us in 1997, the source claimed to have retrieved it from an abandoned cave. He estimated the age, in 1997, as 200 years +/-
Maybe or maybe not. We can only confirm the last 30 years of it's history. It is an intriguing old item of African tribal art of the Dogon escarpment of Mali.
10” high x 7” wide. #AGC420STON
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$1,600.00
Dance wand, figure atop with articulated mouth. The slender rod projecting from the head moves the jaw up and down. 32" tall.
Showing evidence of old powder post beetle damage, since fumigated.
ca. late 19thcentury.. Maker once known. Offered at acquisition cost.
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$2,000.00
African Ibo tribal bowl, wood, used to store and serve kola nuts used in welcoming ceremonies. As a part of Ibo hospitality, this kola bowl would have had high status in Ibo culture.The underside descends into an inverted cone shape.
We acquired it in 1992 from Ali Sellah, who estimated the age as ca. late 19th/early 20th century. These dates say it is somewhere between vintage and antique in age.
As with most authentic African tribal art, the artist was once known and probably highly regarded at the time this object was created. Of course, that rendered recording the artist’s identity not necessary.
This bowl, which is quite heavy, is in very good condition with but a small chip missing from the lip, likely the result of aging in a different climate than it was created in.
It will be shipped FREE at our expense to any address within the mainland 48 United States.
#AGX099
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$1,500.00
Authentic African Kuba tribal drum, carved from wood, with a hide membrane - possibly goat - secured to the top circumference with wooden pegs, some of which are missing.
The handle is carved from the same wood specimen in the form of a hand. Some Kuba authorities associate the hand with royalty.
Typical Kuba incribed cross-hatching is evident around the top and mid-section. There is extensive wear on the membrane, which is still resonant, and on the base, which has been partially destroyed.
Acquired in 1988 from Windows of Africa Gallery in Chicago, IL. Maker Unrecorded Estimated ca. mid-1900'S..
31" tall. #AGA064
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$900.00
African Kuba tribe embroidered raffia panel. Sewn to a fabric panel and framed for display. Age ca1980s.
Acquired 1988 from Douglas Dawson Gallery, Chicago, IL. (Provenance in hand) Maker once known.
21” x 16” framed. #AGT065
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$990.00
African Kuba embroidered raffia shoowa panel. Sewn to a fabric panel and framed for display. Age ca1980s. Acquired 1988 from Douglas Dawson Gallery, Chicago, IL. (Provenance in hand) Maker once known.
Traditionally, Kuba cloth is woven from hammered strands of palm leaf, which are softened to pliability. This work is done by men. When the base textile has been completed, it is turned over to tribal women to embroider using cut-pile technique.
The Shoowa panels that result are works of remarkable graphic impact, mastering repetitive design with elements of irregularity that often have symbolic meanings but always assault the eye with their complexity.
Doug Dawson, the source for this Shoowa panel, has been a Chicago institution of ethnic authenticity and artistic excellence for decades.
19" high x 17 1/2" wide #AGT066
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$625.00
Cylindrical container carved from wood. Images in deep relief used as channels for the carrying cord. Appears to be sacred cam wood.
Lidded and secured with hand braided. leather cords. Age uncertain. Acquired 1990 from Hamidu Sellah, indicating age of at least 22 years in 2022. Maker once known.
10" high x 5" wide. #AGW947
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$1,100.00
African Senoufo tribe carved divination object, wood, horse effigy, ridden during ceremonies, shoulder strap for carrying. Also likely used as a headrest when reclining. Carver unrecorded. Age uncertain. Estimated late 20th Century.
9” x 24” #AGE839
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$1,100.00
African Senoufo tribe, Mali, carved divination object, wood, represents power when "ridden" symbolically during ceremonies.
Also used as a headrest when the owner is lying down.
Shoulder strap attached for carrying. Carver once known. Acquired in 1999 from Hamidu Sellah, placing the age (as of 2024) at minimum of 24 years.
10” x 23” #AGE838
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$1,000.00
African Yoruba House of the head, basket with cowrie shells overlaid, leather handles, leather bird atop.
Yoruba people are believed to venerate an individual's 'inner head', a spirit responsible for the person's destiny. The symbolic inner head is preserved in a container called 'house of the head.'
It is made from leather and cloth and covered with cowrie shells, which are associated with wealth, a sign of the owner's prestige in the tribe.
Acquired in 1996 from Hamidu Sellah, establishing an age of at least 26 years as of 2022. Maker unrecorded..
21" tall x 8" diameter. #AGF415
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Yoruba oshe Shango dance wands and shrine objects.
Please note: Since Yoruba Shango carvings tend to be anatomically explicit, we have obscured portions of items in thumbnails. Clicking on each item will reveal unedited larger views of that wand.
Featured
$29.00
This oshe Shango is extreme in its size and appearance. At 22 1/2" tall by 5" wide at the top of the bifurcated celt.
Other design elements bring flair to the presentation. It shows some cracking as a result of temperature and humidity changes. Its dramatic appearance is matched by a missing provenance.
A collector would see it for the uniqueness of the design. But it is sufficiently flawed and lost in history to make it deeply discounted。
$450.00
African Yoruba Oshe Shango dance wand, Janus faces at the celt and on the handle, facing in four directions. Reddish wood. Loosely attached to stand.
In the religion named for him, Shango is considered by believers as the most powerful god. He is manifested in fearsome thunder-storms, often resulting in stones appearing on the ground after a rain. This may simply be the unearthing of large flat stones when the rainwater washes away surface soil.
Neverthless, adherents of Shango beliefs, attribute it to the force of Shango that creates thunder and lightning when Shango is offended.
Shango wands (oshe Shango) are used in ceremonial dances and as shrine objects. As with many powers associated with cults, the strength is manifested only to believers. The objects themselves possess no known mystical power, good or evil, for non-believers. Maker once known. Age uncertain. Acquired in 1999.
15"h, 3"w celt #D085
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$1,000.00
Africa Nigeria. Yoruba Shango shrine wand in the manner of a dance wand. A bare-breasted female holds a rainbow symbol in two hands, above which is a large celt. The figure has a high polish.
In the religion named for him, Shango is considered by believers as the most powerful god. He is manifested in fearsome thunder-storms, often resulting in stones appearing on the ground after a rain.
As with many powers associated with cults, the strength is manifested only to believers. The objects themselves possess no known mystical power, good or evil, for non- believers. Maker unidentified, Age uncertain. Acquired in 1989 from the Golden Gate Florida gallery of Bruce Green.
22 1/2"h x 7"w celt #AGD087
This is one of many that are in the collection of this owner. During the ownership, much of the documentation as to carver and previous owners has been lost or misplaced. They are offered with whatever provenance the owner can certify from disorganized records.
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$220.00
Africa Nigeria Yoruba oshe Shango Wand. A standing male in pantaloons holding what appears to be a priest's yoke, ruggedly carved and mounted on a cherry wood base.
The celt appears to be connected to the head of the figure with some type of regalia.
Acquired in 1999, giving it an age of at least 24 years as of 2024. Maker once known. Age estimated by the source as ca.1990s.
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20"H x 4"W celt. #AGE911
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$140.00
African Nigeria Yoruba oshe Shango wand with supplicant female kneeling with hands at abdomen.
It features a slender profile with a second head protruding from the celt, above the figure's head, which appears to wearing eyeglasses.
A portion of the figure has been blacked out on the thumbnail for the sake of modesty.
Acquired in 1992 from African source, Moissie Sissoko. Maker once known. Age estimated by the source as ca.1980s.
13"H x 1 1/2"W celt. #AGV197
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$1,100.00
Africa Nigeria Yoruba Shango wand with a supplicant female, kneeling with hands at breasts.
It features a celt with 2 inscribed cowrie shell deigns on each side, front and verso. Black metal custom display stand included.
Maker once known. Age estimated by the source as ca.1980s. Acquired in 1991 from African associate, Moissie Sissoko.
13"H x 4"W celt. #AGV198
$600.00
Africa Nigeria Yoruba oshe Shango Wand.
This Shango wand features a male, nude, with prominent genitalia, holding what appears to be a fly whisk in his right hand and a sacrificial offering in his left hand. It features a celt with 6 inscribed cowrie shell designs on front and verso.
Lucite custom display stand included .Please note some damage from normal use at the base of the handle. Acquired in 1991 from African associate Moissie Sissoko. Age estimated by the source as ca.19th Century, which cannot be pinpointed.
19 1/2"H x 4 1/2"W celt. #AGV199
As is common with African Tribal objects, the maker's once known identity is not recorded. It is offered with an Authenticity Certificate from Aboriginals Gallery if requested.
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$300.00
Shango is a religion of some Yoruba people of Nigeria. It takes its name from the principal god of believers, known for power and justice.
He is celebrated with ceremonial dances. Adherents of the cult dance with oshe Shango wands reflecting their supplication to Shango.
Carvers use many different elements to pay tribute, depending on their individual beliefs.
Many of these wands display partial nudity, a reflection of traditional attire for Yoruba natives. If this offends you, please skip this portion the website.
This is an uncharacteristically small wand, it may have been a personal object. Includes display stand. Maker and age are uncertain.
Like many objects associated with cults, power is manifested only to believers. The objects themselves possess no known mystical power, good or evil, for non-believers.
This wand was acquired in 1989 from Barrister's Gallery in New Orleans, LA. Much of the documentation as to provenance has been lost or misplaced.
It is offered with a Certificate of Provenance from Aboriginals Gallery. and a guarantee of satisfaction when you receive it.
6 1/2"high x 1 1/2"deep #AGA086
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$500.00
Africa, Nigeria Yoruba oshe Shango wand with a supplicant female, kneeling and offering her breasts.
It is particularly well carved with a patina suggesting it was held in high regard by its original owner. Three diamond shaped inscription on the front of the celt.
Acquired from African associate, Abdoul Keita, in 1992. Maker once known. Age estimated by the source as ca.1950s.
One of many in the collection of this owner. It is offered with an Authenticity Certificate from Aboriginals Gallery
14"H x 3 1/2"W celt. #AGV474
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$330.00
This Shango wand features a supplicant female, kneeling and offering her attenuated breasts. It is particularly well carved with a nice patina.
Acquired in 2000 from African associate, Abdoul Keita. Maker once known. Age estimated by the source as ca.1970s.
Shows significant age cracking on the torso front and handle..
11"H x 2"W celt. #AGV495
One of many in the collection of this owner. It is offered with a Authenticity Certificate from Aboriginals Gallery. Includes a well-designed black metal display stand.
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$300.00
Africa, Nigeria Yoruba Shango wand presents as a standing female with bare breasts holding what appears to be a priestly yoke. It is smoothly carved and mounted on a Lucite base.
The celt shows two shell-shaped incisions on the front. The handle is cylindrical expanding to larger on each end.
20"H x 7 1/2"W celt. #AGX237
Acquired in 1992, from African associate, Ali Sillah, giving it an age of at least 30 years as of 2022. As is customary with African ceremonial carvings, the maker is not indicated. Age estimated by the source as ca. 1985.
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$350.00
In the religion that is named for him, Shango is considered by believers to be the most powerful god. He is manifested in fearsome thunderstorms, often resulting in stones appearing on the ground after a rainstorm.
This may simply be the unearthing of large flat stones when the rainwater washes away surface soil.
Nevertheless, adherents of Shango beliefs attribute it to the force of Shango that creates thunder and lightning when Shango is offended.
Shango wands (oshe Shango) are used in ceremonial dances and as shrine objects. As with many objects associated with cults, the power is manifested only to believers. The objects themselves possess no known mystical power, good or evil, for non- believers.
Acquired in 1992 from African associate, Ali Sellah, who estimated the age at ca.1985. Maker once known. It is offered with a provenance certificate from Aboriginals Gallery.
14"tall x 3 1/2"w celt #AGX238
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$560.00
Mask, "nimba", (D’mba) which rests on the shoulders of a male dancer who is further disguised by raffia suspended from the “shoulders” of the mask to cover the dancer’s torso. The mask represents a woman with motherly qualtities, characterized by large, pendulous breasts, a pronounced head and nose and studded coiffure. During wedding festivities in particular, the role of women’s roles are celebrated. In addition to being worn as a mask at celebrations of birth and marriage primarily, its four legs let it stand on its own between uses. Age uncertain. Carver unknown.
The Baga, live in the swampy area along the coast of Guinea. Their artistic traditiions include the creation of these easily identified headdresses and other unique forms. Baga women are responsible planting and growing rice, a primary foodstuff for the tribe. Baga men do the fishing and manage trees that provide kola nuts, which is a substance of ceremonial importance.
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